I’m working on a play at the moment, writing scenes in a free-style that will – hopefully – be incorporated into my play and used as building blocks in the final draft. My play is also a novel. Its themes are the evil of human nature and the final ‘fall down’ of the human species.
Which leads me to focus on one important fact; that writing stories – in my view – is primarily about thought, about thinking, and about going down deep into the ‘other world’ that is the subconcious mind.
OK, so opening the document on which I am going to write various words starts this process of thinking. The document has a name – i.e the play’s working title – and the title inspires thought – deep thought.
This seemingly easy task of creating a new document on which to write a play, a novel, a poem, a drama, seems easy but it’s not; the end result – a play, a novel, a poem, a drama – looms large in the mind and then it starts raining questions which pulls the mind in all sorts of directions; what is this piece about? Who are the characters? Why am I writing this? Why do I care about this piece so much? Care about it enough to write it all down? Care about it enough to think about it on such a deep level?
These questions produce a kind of agony and that agony comes from having to face a certain ‘truth door’, and step through it.
The ‘truth door’ can and does reveal all sorts of nasties, and the nasties come at you the moment you enter this deep place, usually known as the subconscious which happens while you are in the deep thought process.
But the nasties – deep thoughts that deal with personal insecurities, failings, hatreds, phobias, actions motivated by fears etc – are controllable in the thought place that is the author’s personal writing world, and if we face them we start having an enormous amount of fun.
For example, one of my characters is deeply flawed so the question arises- does this represent me? Is it too autobiographical? If the answer is yes – this represents one of the nasties – and it can be hard to face these truths.
But if another of my characters reminds me of a loved one, departed from this world, this soothes the nastiness of facing myself through the truth door, and lets me have fun in the world of deep thought free-writing.
This might be why real life is so difficult for many writers, because in order to write we need to literally live our stories, live inside our characters, live everything they go through.
Real life becomes sub-par; the life of our stories is so much better – for one we can control it, whereas we have no control over ‘real’ life.
Which leads back to the necessity of deep thinking in order to write.
Deep thinking – sub-conscious thinking – in today’s world is very hard, given that we’re bombarded with demands on our attention every waking minute.
But deep thinking is necessary for writers – uninterrupted time, quiet spaces, aloneness, and in huge quantities.
Writers – including me – need to redesign their lives to make that possible. Is it possible? Tell me what you think.